Showing posts with label Dorothee Kocks. Show all posts
Showing posts with label Dorothee Kocks. Show all posts

Monday, 8 July 2013

Entrancing audio

Ratty has heaps to do, but a wonderful thing happened, to stop him in his tracks. He's even let his tea grow cold. Dorothee has produced an audio book of her novel The Glass Harmonica: a sensualist's tale in her own marvellous, firm but musical voice.  Listening, I'm back in the common kitchen at our artists' residency in Can Serrat, Catalonia, where I heard her read from the work-in-progress eight years ago. It's a terrific production that does justice to her fine novel.


It's available on Audible, Amazon and iTunes. Go to Dorothee's website to choose your format. On Amazon you can listen to a sample and, if you join Audible, gain a free copy of the audiobook.

You can listen here to Dorothee talking on New Zealand's National Radio about The Glass Harmonica. 

(Martin Edmond's Winged Sandals? It'll be available tomorrow.)


Monday, 14 January 2013

Keen rat in ratkini

Happy new year to you all. May we all find our way through 2013 doing what we love: hopping over the hurdles, dismantling the roadblocks, enjoying the scents, vistas and friendships along the way.

Inspired by summer sights on the beaches of Buenos Aires, Lily has whipped up a pair of swimming togs and insisted that if he wants his lunch Ratty must first try them on. With water rat in his ancestry, Ratty tries to recall an instance when a swim might have been enhanced by the addition of .07 m of green spandex with a twisty-tie doing duty for shoulders.

Like Ratty, we are trying to rationalise what we own as we pack up the house and take as little as possible with us on the next (unknown) leg of our journey.

Meanwhile, fresh thought is going into RMB. Ideas are percolating. Last week I talked with Lorraine Steele of Lighthouse PR ("A guiding light in book publicity" — check out the very cool website) about the challenges of selling ebooks. I appreciated her enthusiasm, open mind, and generosity. We'll be keeping in touch, but meanwhile she's given me plenty of resource ideas to follow up.

I talked with Dorothee, too, about the audio book almost ready for release, which is The Glass Harmonica read aloud in her melodic voice. I'll let you know as soon as that's available.

Meanwhile, The Happiest Music on Earth is with the formatter and I've come upon its successor in the 10k series — an exciting new voice in fiction.

Right now, I'm keen to look at 10,000 word essays for consideration. Pass it on.
The ratadilloes are having a ball with the mankini offcuts.


Saturday, 8 December 2012

Sex in America

Amazon threatened to ban it, but Dorothee Kocks persisted, and now they've allowed it into their bookstore: drawing on the riches she uncovered in research for the The Glass Harmonica, Dorothee has created an interactive book titled Such Were My Temptations 'uncovering the surprising, secret world of America's first sexual revolution'. I had great fun checking out the teasers this morning.

Here's a four-minute video of Dorothee telling an audience how Such Were My Temptations came about. She's always a delight to listen to — the lyrical voice that sounds through her novel has its physical counterpart here.

And here's the delectable preview of the interactive book itself.

For those in the US, go straight to Amazon for your copy for US $2.99.  To read it on your computer, purchase the Kindle Edition and select Kindle Cloud Reader. For those with an iPad, it's available at the iBookstore.


"Kocks leaves no stone unturned in upsetting today's definition of 'Puritanical.' From political sex scandals to polyamorous poetry, New England's first citizens evidently had plenty in common with today's Americans. Those who think of the 1760's as an era of widspread chastity should brace themselves for surprise before reading Temptations..."

I'm still trying to access a copy, here in NZ. I'll let you know when I do. Meanwhile, we have Dorothee's gorgeous, vital and moving novel, The Glass Harmonica: a sensualist's tale, in which she makes rich use of the material she's shared in Such Were My Temptations.
 

Wednesday, 3 October 2012

How to turn your book into an app for iPad, Kindle Fire and other tablets.

I've been away with my parents and a broken hard drive, but now I'm home, it's spring, and everything's revving into life. I hardly know what to tell you about first: I'll write several blogs in the next day or two (where's that rat? I'll just have to start without him).

First you need to know about a fantastic opportunity from Dorothee Kocks / Beware the Timid Life: learning how to make your own book app. Packaging your own work for Kindle or the iPad might be the digital-era equivalent for writers of tidying up a manuscript and sending it to a publisher.


Dorothee's running an introductory, how-to webinar course for creating content for the iPad, Kindle Fire, or other tablets, especially intended for:
  • Children’s book authors
  • Historical novelists and historians
  • Nature writers/photographers
  • Comic book or graphic novel writers
  • Poets who want to read aloud or include visual content
  • Artists
  • Museum people and educators
  • Or … accountants with alter-egos of any of the above
Read all about it here and sign up if you will. I'd like to sit in on the classes, starting on Saturday the 13th October (very early Sunday here in NZ, but Dorothee says we can listen to the recording later).

Dorothee knows what she's talking about. She's recently created an app that got Mamazon (now, that's an apt slip of the finger — make that Amazon) hot and bothered — they wanted to censor it. And that'll be the subject of a forthcoming blog.

Friday, 14 September 2012

Frisky people!

Dorothee's been cooking up a treat.

While writing and researching for The Glass Harmonica, she kept coming across evidence that American forbears weren't the puritanical bunch it's often assumed. She told the Ashland Daily Tidings how she came across some erotic pictures in a history text. "'I was so astonished at how explicit the erotic art of the time was. I started calling rare-book libraries and asking if they had any smutty stuff. And they did.'"


 To make the most of the wealth of infomration, art, poetry and objects that came to light, Dorothee's created a media-enhanced ebook:  Such Were My Temptations: Bawdy Americans 1760-1830. "Loaded with poetry, prose and art, the e-book depicts this country's founding forefathers and foremothers as quite passionate …. It even includes an engraving of Benjamin Franklin and a lady friend having an intimate moment. While graphic in places, the e-book's aim is pleasantly academic rather than pornographic. It's smart, fun and challenges widely held assumptions."

With Such Were My Temptations, Dorothee pushes boundaries in her own right, expanding the definition of the book, adding dimension to the reading experience in ways only recently made possible. Rather than adding content just because it is technically possible to do so, Dorothee finds that sweet spot where content comes alive with new technology. One example is a polyamory poem, dry to read in early English. Such Were My Temptations presents a vivid video of the poem to help readers feel what that old word ‘ribald’ really means.


“Kocks leaves no stone unturned in upsetting today’s definition of 'Puritanical'. From political sex scandals to polyamorous poetry, New England’s first citizens evidently had plenty in common with today’s Americans. Those who think of the 1760s as an era of widespread chastity should brace themselves for surprise before reading Temptations.”  —The Kinsey Institute for Research in Sex, Gender, and Reproduction

To find Such Were My Temptations and more information run to www.DorotheeKocks.com

Friday, 17 August 2012

The Glass Harmonica rocks

Dorothee sent fantastic news: The Glass Harmonica is a finalist in the Utah Book Awards. Although I've always believed in the novel, it's great to have it so publicly affirmed, and this will be a terrific boost for Dorothee as she works on her next writing project. The awards ceremony will be in Salt Lake City in October. We'll keep you posted. Congratulations, Dorothee!


Meanwhile, this morning Ratty shinned up the Delicate Arch in the Arches National Park near Moab, Utah, with the banner that Lily's Thursday evening Sewing and Sipping Circle whipped together last night, on hearing the news.

Which brings me to a delicate point. I'm thinking of subletting Ratty's services to help keep the fabric of Rosa Mira Books together. Do you know of an author (or are you one, yourself) who would delight in having their book — ebook or hard copy — represented by the rat in this place or that? He's able to travel and position himself (and the book) pretty much anywhere, as you'll know if you follow this blog. He's willing to handle the author's writing tools, sit in their favourite chair surrounded by their bric-a-brac, or even, for an extra dollar or two, don the author's clothes . . . your imagination and his will show the way. He'll make the resulting images available in either digital or hard copy on firm watercolour card. He can be contacted here or on Rosa Mira's Facebook page where you can leave a message for him in any recent comment stream.

Tuesday, 19 June 2012


Ratty seems to have flown off in his purple ironing board and Lily's distracted, knitting peggy squares for a friend who has produced a litter of lilac Peterbalds and needs all the woollens she can lays paws on. Isgar and Dasychord are itching to make something happen. Their hedgehoglet friend, Apostrophe, does whatever they do, in miniature

So, what is happening?

There's a fresh batch of Slightly Peculiar Love Stories excerpts ready for perusal, by Claire Beynon, Latika Vasil, Brenda Sue Cowley and Linda Niccol.

I've spent time following helpful hints about SEO (search engine optimisation) and am having a few changes put in place this week. Let's see if the collection of slightly odd phrases inserted in the website's pages and meant to sound/look natural will draw throngs to Rosa Mira Books.

I've had a couple of wonderful offers of help recently from publishing students. I'll tell you more about those when they are taken up. I'm saying, Yes, please!

Dorothee has been cooking up a treat which is almost ready to be served – a tantalising side dish to The Glass Harmonica. Speaking of which, have you listen to this entertaining piece of William' Zeitler's, written and performed expressly for the recent transit of Venus?

The English pages of Amigas have been designed; the Spanish ones won't be far behind, and the cover will soon be ready for display.

I have a couple of exceptional manuscripts in the pipeline.

All is well. Slow but well.


Thursday, 10 May 2012

Vita interrupta

Well, the online translator tells me this is how you interrupt a life in Latin but please tell me, anyone, if it's not so. I'm across the Tasman at present (like Ratty, yes! strange that) so my work is being done in even shorter fits and starts than usual.


 I wanted to let you know that The Glass Harmonica: a sensualist's tale has been reduced in price by four dollars to 7 USD.

The cover of The Glass Harmonica will always be dear to my heart. Not only because it covers a novel dear to my heart and Rosa Mira's first (which speaks, too, of the trust and courage of its writer, Dorothee). But also because it was hand painted by Christine Buess of Dunedin, the design suggested to her by a description in the novel of the waistcoat Chjara borrows from her employer, the prurient opium addict, Victor Ravenaugh.

He opened his eyes and saw her: dressed in his own clothes. Dressed in his pantaloons. Stuffing his boots. She turned away from him when she tucked a rolled cloth between her legs, a cloth he couldn’t see hid a single hard gold coin. He would have spoken to her sharply but he had no energy for rebuking her at that moment; her arms were raised, her neck tilted back, and her long hair swept to the middle of her back. She was braiding it.

Victor Ravenaugh had not seen a woman braid her hair for a hundred years. She pulled on his wig from the days of Louis XVI, then she wrapped herself in his ivory silk shirt with the matching ivory waistcoat. The waistcoat had been stitched all over by those Asian devils with silk-thread blooms and pink butterflies and his favorite ornament, the bright red tomato or pomme d’amour, that exotic discovery of the Americas. She did not look at him as she left, and he imagined he saw his better self. Going. At last, gone.


Dorothee has recently been preparing a mixed-media ebook drawing on some of her fascinating findings while writing the novel, about America's first sexual revolution. Such Were My Temptations: Bawdy Americans 1760-1830 will be available soon. I'll keep you posted. 

A new batch of excerpts from Slightly Peculiar Love Stories can be read here.

Meanwhile, here in Victoria, beach walks are punctuated by little gems such as this no-longer-puffing puffer fish which, as you'll know, is the world's second most poisonous vertebrate after the golden poison frog. Almost all puffer fish contain tetrodotoxin, a substance that makes them foul tasting and often lethal to fish. To humans, tetrodotoxin is deadly, up to 1,200 times more poisonous than cyanide. There is enough toxin in one puffer fish to kill 30 adult humans, and there is no known antidote.

I didn't touch it.
 

Wednesday, 19 October 2011

He liked it!

…  a provocative novel by an elegant writer who has blazed her own path.

In these days of bite-sized time-bytes into which our days are nibbled, it's a treat to come upon well crafted essay-style blog postings, or book reviews that take time to savour and digest and to analyse the themes of a novel (in this case) within a wider social context. Anyway Dorothee and I were delighted to receive this thoughtful, flavoursome review of The Glass Harmonica: a sensualist's tale by Jim Cullen for the History News Network:
  
"Dorothee Kocks has had an intriguing career. A graduate of the University of Chicago, she went on to pursue a doctorate in American Civilization in the decidedly different climate of Brown (where our paths crossed almost a quarter-century ago). She got a tenure-track job at the University of Utah, proceeding to publish a richly suggestive piece of scholarship, Dream a Little: Land and Social Justice in in Modern America (California, 2000). Then she ditched her teaching post, took up the accordion, and began traveling widely, supporting herself with odd jobs. Last year, she made a foray into fiction by publishing her first novel, The Glass Harmonica, as an e-book with a New Zealand-based publisher. It has just been published in a print edition.

"Kocks's unusual vocational trajectory is worth tracing here, because The Glass Harmonica is an unusual book. A work of historical fiction that bridges the late eighteenth and early nineteenth centuries, it also sprawls across Europe and North America. Napoleon Bonaparte makes a cameo appearance, but its core is a love story between a commoner Corsican musician, Chjara Valle, and an entrepreneurial American purveyor of erotica, Henry Garland. The two lovers encounter any number of obstacles -- principally in the form of spiteful people on either side of the Atlantic -- but nevertheless manage to build a life together,  one animated by the mysteriously alluring (and thus to many threatening) glass harmonica, a musical instrument which enjoyed a vogue in the age of its inventor, Benjamin Franklin.

"Such a summary makes the book seem simpler than it is. For one thing, The Glass Harmonica is rich with historical texture. Brimming with research, it vividly recreates any number of subcultures, ranging from continental drawing-room entertainments to the feverish intensity of revivial meetings. As one might expect of a writer who has spent much of her life, and much of her work, exploring the concept of place, Kocks also evokes varied geographies -- urban Paris and Philadelphia, rural upstate New York, coastal New England;  et. al. An afterword limns her sources and provides set of footnotes worth studying for their own sake.

"Kocks also boldly trespasses over contemporary convention in realistic fiction, eschewing the spare, lean quality of modern prose in favor of lush, omniscient narration. 'On the morning Chjara Valle quickened in her mother's womb, the sun reached its red fingers over the Mediterranean Sea,' the novel opens." See the rest …

Last night I dreamed that a rat ran up my leg – friendly though. This one is holding a placard on the end of his pole, that says, Occupy The Glass Harmonica!

Monday, 3 October 2011

The Glass Harmonica in paperback

When I think back over 2010, the year in which I dealt, too often anxiously, with the complexity and challenges of setting up Rosa Mira Books, I recall the relief it always was to sink into the reading, editing and proofing of The Glass Harmonica — appreciating always Dorothee's lyrical voice; her consummately professional approach to her writing and research; the boldness, freshness and sheer joie de vivre of her narrative.

It's a pleasure to be able to offer the paperback version of The Glass Harmonica: A sensualist's tale, with access to sales via Rosa Mira Books, or directly here.

Dorothee's created a terrific website, with a blog as provocative as its title: Beware the Timid Life. On this page there's a sparky Q & A with Dorothee and further down the video of a recent TV interview (do check it out; she's a broadcaster's delight). Then keep browsing the site for its many tasty morsels.

Photo of Dorothee by Claudia O'Grady

Congratulations, Dorothee, on creating such an attractive, intriguing and inspiring home for your readers and fans.

Wednesday, 28 September 2011

Birdsong, banned books, chocolate and feet.

I'm back, energised by Australian sun, birdsong and good company, and perched much more happily on the edge of my chair than I have been in the last few days, with a pinched nerve I'd like to put down to sedentary hours on trains and planes, rather than to encroaching decrepitude. The wisteria is budding forth, and the cherry, and it's hard to keep up with the spring vege greens.

I note that potential buyers of Rosa Mira's ebooks are acting conservatively as the Euro hovers on the brink of the Zone — but I would (naturally) urge them to act now in their own best emotional and intellectual interests. The Glass Harmonica and Slightly Peculiar Love Stories promise to transport their readers into zones eternally vivid and fertile.

In a few days — I'll remind you again then, and point you to her new blog — Dorothee Kocks's The Glass Harmonica: A sensualist's tale will be available in paperback. Details will appear on the website. It makes a handsome volume.

Talking of Banned Books Week, did you see Dorothee's riveting article? On books such as Henry sells clandestinely in her novel, he "hawking risqué literature from the back of his carriage, including what would become the most banned book in U.S. history, Fanny Hill, Memoirs of a Woman of Pleasure".

And I suppose you heard the two radio interviews aired while I was away, in which I spoke about Rosa Mira Books. The first with Ruth Todd (no relation) of Plains FM Women on Air, the second with Lyn Freeman on Radio NZ's Arts on Sunday.

I have a copy of the paperback version of The Glass Harmonica which I'd like to send to someone who could give their review of it wide exposure, besides what's offered here. That and a Whitaker's slab of their choice (alas, the latter an NZ-only offer).

Feet waiting for the Lapstone train.

Friday, 9 September 2011

'dangerous and beautiful'


Here's a new review of Dorothee Kocks's The Glass Harmonica, a sensualist's tale . . .  

Since spring is in the air, I'd like to offer a free copy of Slightly Peculiar Love Stories to the next two buyers of The Glass Harmonica.

And now I'm going to the beach.


Thursday, 18 August 2011

Once upon a mountain


Sophie (now Bond), my daughter, visited, and drew the house

You don't always know when a seed is being sown, how or when it will sprout, or what it will grow into. Sometimes you have in inkling, though. (Or do I mean a pre-seedling?) In 2005 I left home alone for the first time in a very long time. I made my way to Can Serrat, a writers' and artists' residency at the foot of Mont Serrat an hour's bus ride from Barcelona. There I met Dorothee Kocks, author of The Glass Harmonica.

I wrote about this, and today the story appears on the Can Serrat blog.

Every year Can Serrat offers a full stipend for a month to two writers and two visual artists. For a modest fee, and sometimes for a part stipend, writers and artists are welcome to stay and work at the casa beneath the mountain I came to love.

As I wrote in Digging for Spain: A Writer's Journey:

I have fallen in love with Montserrat. Returning on the bus from the city, my heart goes ba-doom when it floats into sight, always subtly altered since the last viewing. I’m not the first to feel this way. Goethe said, ‘Nowhere but in his own Montserrat will a man find happiness and peace.’ (I wonder if it ever crossed his mind that a woman might in hers.) The other day clouds massed and towered into the blue in the astonishing way I’d only ever seen in Paris ten days earlier. By the time I was on the bus to the city they’d been crushed to a dense slate on which Montserrat’s bulbous crenellations were painted in smoky pink. So, to crown my day as with flowers, I walk up through the almond orchard, over the desiccated herbs, under the pines, until I have a clear view of the mountain and if I can find a good thing to sit on — that isn’t prickly or puffy with dust or en route to the ant colony — I go down and adore.



Tuesday, 9 August 2011

100 were turned away!



Dorothee Kocks, author of The Glass Harmonica: a Sensualist's Tale has been working hard and having a ball. Last month she read at 'an intimate soirée' at the Portsmouth Athenaeum, which features in the novel. Alongside the reading was a glass harmonica recital of classical and folk pieces, by Alisa Nakashian-Holsberg, one of only a dozen performers in the world today.


Dorothee writes: RiverRun Books, a community force for good in Portsmouth, hosted a signing event the next day during a summer festival. Lots of people came through to see the instrument that once was banned.

And what were they signing? you may ask (an ebook?). In fact, the events previewed the paperback release of the novel, which is officially slated for October but it will be available online soon with links from Rosa Mira Books.

Now, what the girls have been waiting for, an almost full-length glimpse of Dorothee's gorgeous outfit (believe me, her novel is every bit as gorgeous):


 These photos were by Andrew Edgar Photography of Portsmouth.

Wednesday, 27 July 2011

Woo-hoo, a review

Without further ado: the first review of Slightly Peculiar Short Stories has appeared on Beattie's Book Blog.  It's a substantial, thoughtful  review by poet, novelist, and short story writer Maggie Rainey-Smith, who was trying out her new iPad. I'm grateful, too, to writer and new media savant Helen Heath for liasing between RMB, MR-S and BBB.

When The Glass Harmonica: A Sensualist's Tale was released early this year, it seemed much harder to attract reviewers for the ebook than it is now — perhaps due in part to the small numbers of ereaders about. Only six months later, I'm hearing of readers and writers who newly own a machine, or who speak of the inevitability of sooner or later obtaining one. While we've had some excellent feedback and potent reader summaries of The Glass Harmonica (check them out here), barring one, the full review has remained elusive. A copy each of The Glass Harmonica and Slightly Peculiar Love Stories (RMB's entire stock!)  are ready to fly into the hands of a reader willing to give full voice to their reading experience of TGH.

"As it plumbs the erotic life of the nineteenth century, this debut novel is filled with moments of startling insight and deep wisdom. Like the luminous music her heroine calls forth from the glass harmonica, Dorothee Kocks’s language vibrates with surprise and enchantment."
                         Teresa Jordan, author of Riding the White Horse Home and www.YearOfLivingVirtuously.com.


If you're the one, please leave a message here or on Facebook, or email me via Rosa Mira Books.

Sun's shining, snow's melting, and dog's ready for an outing.

Warm wishes to my readers.

Thursday, 19 May 2011

A week's worth

We have a cover for Slightly Peculiar Love Stories. I'm torn between plastering it everywhere and uncovering it little by little. Wait and see what I decide. It's striking and I like the fact that it doesn't have to follow the rules of regular book-making. Doesn't need a spine or a back page. Doesn't even have to be rectangular, except that it'll fit more neatly on a screen if it is (and it is).

Proof copies of The Glass Harmonica, the print-on-demand version, arrived in Salt Lake City and Dunedin this week, and we were pretty chuffed to hold it in our hands, stroke that winsome front cover, and see Dorothee's fine prose on cream paper of good quality. A couple of tweaks at the Lightning Source end, and a couple of technical details to attend to at this, and we'll be away. I'll keep you posted here.

While we're talking short stories, please consider pre-ordering a copy of Tales for Canterbury (collected and edited by Canterbury writers Cassie Hart and Anna Caro) for which all profits will go to the Red Cross Earthquake Appeal. I see that at least four of the writers have work appearing in our collection, too. What a feast of stories.

You're going to meet our slightly peculiar writers, one by one, here on this page, starting on Monday or even sooner. Some will blog, and others I'll introduce before pointing you to a fine example of their work. I hope they'll venture to speak about love, about writing, about their own peculiar interests – oh, anything at all; we just want them here, hanging about on Rosa Mira Books and talking to you.

Wednesday, 30 March 2011

Perfect radio

Honestly, Dorothee Kocks should have married a radio. She's just spoken on Radio NZ National Nights with Bryan Crump. I was so proud, listening to her musical, intelligent, entertaining discourse, I remembered all over again what I love about The Glass Harmonica.

If you didn't hear her, please go and listen.

Monday, 14 February 2011

Valentine's Day, filming and afrolicking

We're busy today, those of us who have to do with Rosa Mira Books, and The Glass Harmonica. There have been exciting goings-on in the last few weeks. Two of Dorothee's friends, Melissa Bond (her stunning website) and Joe Totten, both of Utah, collaborated with my brother Hugh Todd of Sydney (some of you might recall him as a very youthful ODT cartoonist in the '80s) to produce an electrifying animated Valentine's Day card. Do check it out — and may you experience a rich variety of love today.

And here it is on Youtube if you want to share it around.

On the same page as the card, you'll see another thrilling newcomer: the video trailer for Dorothee Kocks's novel. This has likewise been a labour of love, in this case by Dorothee's cousin, film-maker Jakob Wehrmann in Berlin. You can check it out on Youtube, too — The Glass Harmonica: A Sensualist's Taleand do cast your eye over the credits to see what a delectable collaboration it has been.

Meanwhile, Dorothee's been writing up a storm concerning sex in early America. All was not as it seems.

Wednesday, 19 January 2011

Galloping on

It's a week now since Rosa Mira Books went online, and we've had the chance to iron out a wrinkle or two, hear some happy murmurs from early readers, and plan for the youtube trailer we're having made in Berlin, of all places. Gloves will be peeled from slender hands, and wet fingers poised over spinning glasses; the eerie tones of the glass harmonica will help us announce the novel to the reading world.

Launching the site and The Glass Harmonica: A Sensualist's Tale was excting, if a mite chaotic when I tried to add a skype conference to the mix. Still, we had time to hear from author Dorothee Kocks and assembled friends in Utah, and to sense again the international quality of our endeavours. Thank you to all who raised their glasses, mugs, or hats at that moment, wherever in the world you were. The name Rosa Mira brought a few roses through the front door, not to mention lilies and other floral delights. I was floating that first twenty-four hours on a cloud of benevolence, and thought about the many people who have been vital to this journey, starting with the terrific women of Longacre Press who published my YA fiction and memoir, and employed me as editor, during which years I learned to trust my critical capacities, and to deepen my knowledge of the craft of writing.

There's more to be said (I'll be back soon), but even more to be done — I'm going to have to figure out how to bend time to manage it all. Tips are welcome.

Friday, 3 December 2010

Author Dorothee Kocks writes:

Writers often daydream about their first publishing contract, and in the States, that dream involves a trip to New York, a ride up some swanky elevator, and a welcome into the community of real writers: no longer an apprentice. 

My moment came in my own foyer. A manila envelope with New Zealand stamps announced that the Rosa Mira Books contract had come and I tore it open, expecting a sheaf of papers to sign, date, return. I had places to go and did not expect to pause but then the papers were sheathed in a pale green sleeve, the color of spring. And inside, a fine ribbon wrapped the document and I could feel publisher Penelope Todd reaching across the miles to say: here you are.


Now I am being contacted by newspaper editors who’ve received a review copy, not via email but by post: in a box with Christine Buess’s lovely cover design and inside, petals from Pen’s garden. A slip of paper gives the online address to receive the book.

What astonishes me most about the ebook revolution is how deeply personal it is. One expects machine worlds to be cold and distant and yet the opposite has been true as The Glass Harmonica has journeyed toward publication. Of course part of this is due to Pen’s personality but that is my point: we are fully here, on the e-frontier. We meet each other not face to face but somehow intimately. Publishing for the last 100 years or so required layers of bureaucracy: from the writer through agents to editors and publishers, then marketing departments and production houses and distribution centers and pulp paper mills. Now small gardens are springing up.

As the first Rosa Mira author, I find myself linked hand to hand with a public relations campaign that is refreshingly not about bamboozling but about finding neighbors in the book world, people who like the same kinds of places. The whole process feels local even as it is so effortlessly global. Here in Utah, I just returned from a walk with my dog and we navigated icy sidewalks and watched a father help his daughter on her bike negotiate a crust of snow. In Dunedin, Pen switches on her camera during our phone call over Skype and the flood of summer bird song enters my study. Meanwhile, in Berlin, Germany, a book trailer seems in the offing as the music museum there houses one of the last surviving 18th century glass harmonicas.

The next step is for the intimate experience of reading to become electronic. I loathed the idea once. I love my paperbacks. I read in the bathtub. But now I have a reading device. I turn the page, and I am carried away. In the end, words are the technology and the magic together, and all else is just details. I hope to meet you here, on the even electronic plain. I'm at dorothee@dorotheekocks.com.

(Photo by James Rendek)